Colin Pope

 
Colin Pope’s poetry has appeared or is forthcoming in such journals as Underground Voices, The Houston Literary Review, Oak Bend Review, Night Train, and Red Rock Review. In 2008, he won the Rose Fellowship from Texas State University and the Santa Barbara Poetry Conference Scholarship. He is an editor at Front Porch Literary Journal and currently resides in Texas.
 
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Four Poems (June 20, 2009. Issue 6.)

Humbucker

Inside there is a box of hawks dying
under the toe of an elephant and another box
that keeps the pair of pliers used for holding
the mouse to the megaphone by the tail
and a place to keep the bullet you threw
in the fire and a place where rainwater freezes
into the shape of a bell and finally
there is a tiny peephole the size of a man
in a picture taken of the earth from
the moon. So crazy that hands

have been so easily domesticated
and how carelessly the fingers let
their wings fall to the ground as if
believing their clumsiness would be
a vacation from the boredom of beauty.
That a machine can speak

with a body that inhales universes
and a tongue that slithers
under the house of god is a gift that must
make all the miracles ever granted
shake with a jealousy like the pit
of the throat grabbing at the fist of wind
vibrating in the open mouth. Now
go to hell.

Accident

That’s what I said. Multitasking is how most things happen.
You put a bird on one shoulder and a bird on the other
and every time you turn your head the conversation
yanks you like a worm in a hole. Or recall how a snake eats
and you will understand the hours, section by section.

Huff and puff, hem, haw. Walk into traffic.
I need those amendments to my will fifteen minutes ago.
Electric organs on the corner of fifth and main,
a billboard of a bum selling his guts out.
The flowers have a paradise of shit. Around the park
the smell of sweat jogging between breasts,
the vice of the subway and its breathless temples, the rats
praying for skin. Yelling at the phone on a box of air,
I damn near broke myself wide open. Right there.

Dusty Springfield

I always thought that famous version of
“Son of a Preacher Man” was sung by
a black woman with absolute love in her soul and
more understanding than my poor cracker ass
could ever know of hardship and
the necessity of caressing
your lover’s hair and even when
I was sixteen I remember hearing
that sweet piping of the singer’s voice like
a velvet fork tuned against the knowledge
of man’s essential desires and
thinking then how that woman must
have known some poor Southern Baptist boy she
met outside of her town church in Louisiana (or
some place south and incomprehensible to
us northerners) and must’ve twisted her
mousey foot in the dirt and taken the boy
by the hand and walked down dusty paths
behind the withered country church that
was an apple baking in the sun and
kissed him lightly with her lips and
grown into him like a pair of wings while
the preacher daddy sermonized at the hot pulpit
and all the women in hats sat in the pews
waving fans in front of their faces
as the two kids played hooky and doctor
behind the house of God, so

you can imagine my shock at
the cool and jazzy words of my fantasy
ushering from between the thin lips
of that leggy and buxom British blonde who
looked as if she was my honky stereotype
of how angels were supposed to look with
a torrent of unimaginative hair and skin that
looked like the glowing hide of a sheered lamb
and who never knew a black boy in the south
named Billy Ray and who
you can be damn sure
never had her golden kisses
stolen by anyone
on the sly.
A Window Day I’d wonder if the walkway was getting bluer. All morning
the question of how the sky is walking
is answered by a lazy gait of shadows
that never changes pace. Heavy business among clouds,
all whiteness, circling like patients
in an asylum. Yes, heavy indeed.
My eyes spell a crooked name
on a marquis, as if the theater
had been closed for decades.
A happy wish to take this ladder
and get up there. Read the fix.
Venetian graveyard of bent slats
from the blinds of ineffectual madness.